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I like the simplicity of a USB cable without having to add an HDMI to USB capture card device however, the R5 might be a better option since you can use an external USB-C power source to charge and extend the battery life of the camera and use the HDMI out for streaming. ![]() If you are starting from scratch without a camera, Canon has the EOS RP Webcam Starter + power supply Kit that comes with the EOS RP camera and RF 35mm lens, plus all the accessories necessary to go live in the living room. If the installation is completed properly, the downloaded file and the “EOSWebcamUtility-MAC1.0.pkg.zip” file will no longer be necessary.
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![]() ![]() In the fourth variation, the only one in a minor key, the chorale-like quality returns and the theme is hardly changed. In the first three variations, the theme remains completely unchanged, only that it is heard in the left hand in the third variation. In the first and third variations the theme has different triplet accompaniments, while the second variation uses the theme in a canon. “A beautifully moving and devout theme” ( Clara Schumann) opens the work with a chorale-like simplicity, intimate and introspective. Delighted with the “new” theme, he immediately set about writing a set of variations upon it. 2 (1842), in his Lieder-Album für die Jugend (1849), and, in the slow movement of his violin concerto, written just four months earlier. ![]() He had used it in his String Quartet, Op. ![]() But by the morning, the voices of angels in his head had turned into the hideous voices of “tigers and hyenas”.Īlthough he believed it to be completely new, the theme was in fact one of his own. On 17 February, he rose in the middle of the night and wrote down a chorale-like “spirit theme”, which he believed was dictated by him by the ghost of Mendelssohn or Schubert. He had on several previous occasions begged Clara to have him incarcerated. By 1854, the year the Geistervariationen were composed, Schumann teetered perilously on the brink between madness and lucidity, and he was well aware of his unstable mental condition. Aware of these contrasting sides to his personality, he gave them names: “Florestan” was the energetic and passionate artist who could write a symphony in just four days “Eusebius” was the depressive introvert. Throughout his life, Schumann had been plagued with what we would now call manic depression or bipolar disorder. The first edition finally appeared in 1939. The events leading up to and surrounding Schumann’s committal to the asylum (he cast his wedding ring and then himself into the freezing river Rhine in a suicide attempt during the composition of the Ghost Variations) led Clara to jealously guard the manuscript, almost in the manner of a holy relic, and would not permit the variations to be published. Schumann: Variations on an Original Theme, Anhang F39, “Geistervariationen” (Ghost Variations) Dedicated to his beloved wife Clara, they were written just a few weeks before he was committed to a lunatic asylum at Endenich, and were the last piece of music he wrote. There’s a special poignancy to Schumann’s Geistervariationen (“Ghost Variations”). ![]() |
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